Skip to content

Fade in:

Int. Writers room - night

A WRITER stares at a blinking cursor. Tonight, the tool is on their side.

For screenwriters

PlotThe screenwriter's IDE.

Write a screenplay online in a structured screenplay editor. Revise with AI you review before it lands, compare alternate draft lines, and carry named save points through to a locked shooting-script handoff.

Screenplay elements
Tab
  • Scene HeadingINT. COFFEE SHOP — MORNING
  • ActionMaya stares at the cursor. The room is too quiet.
  • CharacterMAYA
  • Parenthetical(half a smile)
  • DialogueWhat if the ending was the setup?
  • TransitionCUT TO:
  • ShotANGLE ON the laptop screen.
  • Dual DialogueTwo characters speaking simultaneously
+ Lyric, Title Page, Section, Synopsis, Note, Boneyard, Page Break, Centered

16

Screenplay element types

10

WGA revision colors

3

Screenplay export formats

Int. The whole workflow

One tool, the entire arc

Most screenwriting workflows hand off to a different tool at every stage. Plot collapses the chain — first draft, notes, alt-versions, lock, production — into a single editor.

Built for the room

Parallel takes, named save points, and changes you can read in note meetings.

3 editing now

The first draft of any long document is mostly an argument with yourself — deciding which thread is the real one.

Once the structure holds, prose moves faster. Constraints become the scaffolding you didn't know you needed.

T
Tomas2m ago

Love the scaffolding metaphor. Should we open with this instead?

Resolve · Reply · 1 thread
Live cursors · Threaded comments · No conflicts — every save point preserved
Int. The writers room

Built for the way screenwriters actually work

Plot keeps scenes, dialogue, and revisions connected, so you can compare drafts, review AI edits, and prepare a production handoff in the same workspace.

Working screenwriters

Feature, episodic, short-form. Structured revisions and two-way FDX without losing your room's draft history.

Writers' rooms

Draft lines for parallel takes, save points for table-read versions, real-time co-writing on the same scene.

Showrunners & EPs

Series-wide visibility — what changed in episode 4 between drafts, who touched what, and which decisions stuck.

Int. The editor

All 16 elements, zero menus

Tab cycles through element types. Type INT. and you're in a scene heading. Forced elements when you need them. Industry formatting, real-time, with no "format" panel between you and the page.

  • Tab to cycle: action → character → parenthetical → dialogue → transition
  • Ghost text completions — Right Arrow to accept
  • Live page count, scene count, and character word balance
  • Smart type suggests character names and scene headings as you write
  • Automatic scene numbering and live screenplay pagination

INT. COFFEE SHOP - MORNING

MAYA (30s) sits alone, laptop open — three empty cups, one story that refuses to land.

MAYA

What if the ending was the setup? — Inkwell ghost text suggests the end of the line as you type. Press Right Arrow to accept the suggestion, Escape to dismiss it.

Command palette⌘K
Int. Version history

Named save points and draft lines

fdxFinal-FINAL-v3.fdxThe naming scheme Plot retires

Every version preserved, every change tracked — no folder of “final” files. Name the ones worth keeping and see exactly what changed. Save the table-read draft. Branch into an alt ending. Compare at the scene and line level, not character by character.

Save points

Named, immutable snapshots. Cmd+S anytime, or auto on table reads.

Draft lines

Parallel versions. Try the alt-ending; incorporate it if it works.

Int. The notes pass

AI that reads your screenplay like an editor would

From the next phrase to a whole act: ghost text, Ask, inline edit, specialist skills, and Agent Mode. Each one reads your draft's structure and proposes changes you accept or reject one by one. All of it where the screenplay is, not in a separate window you paste between.

01

Complete

Next phrase

02

Ask

Draft question

03

Edit selection

Chosen words

04

Skill

Focused craft job

05

Agent Mode

Scene or act goal

You decide what stays

At every level.

A few of the craft passes you can run inside Plot:

Dialogue pass

Rewrites a single character's voice end-to-end. Maintains consistency across scenes — subtext, cadence, vocabulary.

Use when: a character feels off after notes.

Continuity check

Scans the entire screenplay for logical breaks — props that vanish, time-of-day jumps, knowledge mismatches.

Use when: the next draft has to read clean.

Character runner

Maps each character's emotional arc across every scene. Surfaces the beats and the dead spots.

Use when: arc work feels guesswork.

Inline edit (Cmd+K)

Select any block — describe what you want. The AI rewrites it in place. Accept or reject line by line.

Use when: the line is close, not right.

You review the result — accept or reject inline edits and skill suggestions individually or all at once. Agent Mode works on a separate result draft until you decide what returns.

Explore AI for screenwriters
Ext. The production lot

From first draft to shooting script

Take the same structured screenplay from first lock through the WGA revision-color sequence, locked pagination, A-pages, omitted scenes, breakdown reports, and production-ready PDF or two-way FDX, including frozen A-page labels in the exported production PDF.

  • Locked scripts

    Freeze the production baseline, then track each numbered revision without losing the page and scene references the room already uses.

  • WGA-compliant screenplay format

    PDF in WGA-compliant screenplay format, plus two-way FDX (Final Draft) and native Fountain.

  • Breakdown reports

    Cast lists, scene breakdowns, day-out-of-days — derived from your script, not re-entered.

Screenplay submission preflight

Review printable structure, title-page details, blank screenplay elements, and production-only apparatus before export. Choose whether the visible title page and PDF file properties belong in an anonymous or privacy-sensitive delivery.

Open submission preflight
Int. The room next door

Plays nice with the room

Plot reads and writes the formats your collaborators already use. No more 'can you export to FDX?' email threads.

Final Draft2-way
FountainNative
PDFReading copy
WriterDuetImport
HighlandImport
CeltxImport
Help center

Start writing in Plot

Create a project, write a scene, run Agent Mode, export a PDF or FDX, or bring a Final Draft file over.

  • Start writing in Plot from a blank page, a starter template, a Final Draft or Fountain script, or a Word document, and find it again on the projects page.

    Read the answerHow-to · 2 min read
  • Type a scene heading, move between screenplay elements with Tab, accept a ghost-text suggestion, and reach any command from the palette.

    Read the answerHow-to · 1 min read
  • Hand the Dramaturg a goal that spans scenes, answer its questions when a choice is yours, and review what it changed on your page.

    Read the answerHow-to · 3 min read
  • Produce an industry-formatted PDF, a Final Draft file for the office, or a plain Fountain file, from the draft line and save point you choose.

    Read the answerHow-to · 2 min read
  • Bring an .fdx or Fountain file into Plot with scene headings, characters, and dialogue intact, and read the import report before you write.

    Read the answerHow-to · 1 min read
By role

Plot guides by audience

Workflow-specific guides for screenwriters, writers' rooms, and showrunners — save points, draft lines, and production handoff in context.

Work spans more than one role? See every audience guide.

Write the next one in Plot

Writer adds complete version control and FDX export. Pro adds production locking and reports. Team brings the room into the same project.